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‘F1: The Movie’ is a fun, fast summer ride

‘F1: The Movie’ is a fun, fast summer ride

by Josh Terry | Jun 27, 2025 | Featured, FrontPage, Reviews

F1: The Movie (3 stars out of 4) “F1: The Movie” feels like a marriage between two cinematic objectives. The first is to give audiences the approximate experience of driving a Formula One racecar at 200mph. The second is to tie the race sequences together with enough...
Boyle returns for excessive, flawed ’28 Years Later’

Boyle returns for excessive, flawed ’28 Years Later’

by Josh Terry | Jun 20, 2025 | Featured, FrontPage, Reviews

28 Years Later (2 stars out of 4) 2002’s “28 Days Later” was a landmark for the zombie movie genre, even if you could argue—as many did—that it wasn’t really a zombie movie. Instead of plodding, brain-lusting undead, director Danny Boyle’s flesh-eating hordes were...
Song’s ‘Materialists’ is a sobering follow-up to 2023’s ‘Past Lives’

Song’s ‘Materialists’ is a sobering follow-up to 2023’s ‘Past Lives’

by Josh Terry | Jun 12, 2025 | Featured, FrontPage, Reviews

Materialists (3 stars out of 4) I had mixed feelings going into “Materialists.” Part of me was excited to see Celine Song’s newest effort, since her first film, “Past Lives,” was one of my runaway favorite movies of 2023. But I was also apprehensive, since...
Thoughtful ‘Life of Chuck’ is hopeful but limited

Thoughtful ‘Life of Chuck’ is hopeful but limited

by Josh Terry | Jun 12, 2025 | Featured, FrontPage, Reviews

The Life of Chuck (3 stars out of 4) Sometimes when I watch a movie I feel like the filmmaker is trying to solve a puzzle with only half the pieces. This is how I felt watching “Life of Chuck.” Mike Flanagan’s film is thoughtful and aspirational, and worthy of praise....
Wick spinoff ‘Ballerina’ marked by high moments and missed opportunities

Wick spinoff ‘Ballerina’ marked by high moments and missed opportunities

by Josh Terry | Jun 6, 2025 | Featured, FrontPage, Reviews

Ballerina (2 1/2 stars out of 4) “Ballerina” is pretty much the movie you expect it to be, which in this case is a strength and a weakness. It’s better than it might have been, but not as good as it could have been. Len Wiseman’s film is a spin-off from Keanu Reeves’...
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